Sunrise 92: Ault Park (Dark Hurricane Hangover)
Good morning! Sunrise 92 was one of the darkest sunrises that I’ve seen so far. The atmosphere is thick with clouds that are left over from the East Coast hurricane Irene. I haven’t posted a sunrise for several days, but to be honest we didn’t miss much. The wife unit was out of the state visiting family over the long weekend and she borrowed the camera to take some pictures. At any rate, I am not sure that I’ve seen the sun in these parts for at least a week. I don’t have an excuse for yesterday, other than the fact that it was rainy and cloudy and my bed was dry and warm. Although it is interesting to note, quickly, just how easy it is to get out of an established routine. I helped out some family by dog-sitting over the weekend which gave me a perfect isolated weekend to work on my master’s thesis (still not done, but converging quickly). This morning’s ride was more difficult than usual, probably due to a combination of 4 days of not riding regularly and the pains of starting back into the early weekly routine.
So back to the sunrise. This morning’s sunrise was non existent, just like the other sunrises over the past week. But this morning was also really, really dark. If sunrise 80, with its clear skies and colorful dawn, was a 10/10 for atmospheric brightness, today was definitely a 1 or 2. By the time I got home at 7:40am, a half hour after the “sunrise” of 7:11am, the morning commuters still had their car lights on as if it were night time. Oh, and the temperature was cold! It was probably about 53-55F, a full 35F degrees cooler than some of the sunrises from just a few weeks ago. I really should have worn a sweatshirt. I stayed warm by not hopping off my bike for more than a few minutes at a time. I ended up riding through the arboretum in Ault Park, then down through Mt. Lookout past the Observatory, all the while making sure to pay much attention to the morning commuters.
That’s one side effect of these late sunrises that I forgot would show up. Biking at 7:30am is much different than biking at 7:30am! The banks of the streets fill up with more traffic and the overall feeling that I get while biking around feels more aggressive, even if it is unintentional. The later in the morning, the worse it gets, because you can tell that some of the later cars are starting to run late. I try to be as respectful as possible while biking, by taking routes mostly through old residential areas and always sticking to the outside lane. But nothing is more scary than an obviously impatient driver that may or may not be paying attention.
Due to the dark light, cold temperature, and wet air, the park was empty with the exception of a single park crew truck. The street lamps were still on, and the canopy of the tall oak trees provided a surreal darkness against the bright gray overcast sky. The crickets and cicadas were still swelling with their summer buzz which provided a great stereo effect as I biked through the heavier forested areas of the park.
One interesting thing about this dark overcast sky is that I can take a picture that includes both the foreground and the sky without one of them being incorrectly exposed. Normally I have to choose one of the other – either the sky (making the foreground dark) or the foreground (making the sky bleached out white).
Heading out of the park down Observatory Ave. The street lamps are still on and the air is a bit misty. This part of the park is always fun to bike through because it is downhill, wide, and you can smell the moisture coming out of the forest at the base of the hill.
Continuing down Observatory Ave, we pass Observatory Ct where the Cincinnati Observatory is located. There is a utility truck at the end of the street flashing his hazard lights at me. I like how dark these pictures are, and at the same time the reflections off of the pavement add some contrast.
A shot of a typical Mt. Lookout neighborhood lane. These neighborhoods mostly date back to the early 1920s so the trees, if they’re not from the original forest which a lot of them are, have had many decades to grow up around the deign of the urban residential neighborhood. You can see on the house to the left that there is a “triangular” shape to it. I’ve found that there is a specific architectural design pattern that exists in many of the homes that were built probably around the same time period by the same developers. They have huge triangles throughout the frame of the home that start at the ground and reach all the way up to the point of the roof, with the largest triangle usually containing the front door. Some of the homes’ triangles more pronounced than others. This is probably just one of the many urban trends that live just under the layer of consciousness. Or maybe it’s just like any of the other historical trends that I’ve found in Cincinnati: they’re mostly unknown except by a handful of people who know them very well and love to talk about them :).
A final shot down one of the small auxiliary outlets from the residential neighborhood. This gives us an idea of the kind of hills that I’ve come to expect when I bike through the eastern residential neighborhoods.
This one’s just for fun. I’m kind of a hoarder when it comes to certain things, and it is a behavior I’m trying to get better at! I’ve been collecting 6-packs over the past 8 months with the purpose of using them with some kind of art project. I was originally going to cut out just the front and frame them, but the wife had an idea of just framing the entire 6-pack. I really like the way these ones turned out, and I also like that the 6-pack is almost entirely intact, with the exception of the bottom panel that we had to cut out so the 6-pack would fit.
It’s amazing to look at all of the artwork and subtle design that goes into most of the modern American micro-brew packaging and labeling. I strongly feel that we’ll look back at the last 15 years of beer culture in the American micro-brew scene and not only talk about the quality and breadth of beer, but also the art, design, and culture that came along with it. By culture, I’m talking about the cases in which a brewery becomes a manifestation of some other local culture, one that they either emerge out of or help to create. That’s one of the most important distinguishing facets about the passionate commercial venture that is the modern brewery in America. Most of them are supported by a local culture, which is crucial to the success and evolution of the brewery.
In case you’re not familiar, the three 6-packs are (from left to right): Bell Brewery’s Oberon (Summer Wheat), Flying Dog’s Raging Bitch (Belgian India Pale Ale), and Lagunita’s Little Sumpin’ Sumpin’ (American Pale). The oberon’s packaging is simple and minimalist, chosen to help balance out the business of the other two 6-packs. The center frame features “Raging Bitch”, which is one of my favorite designs because of how intense the artwork is. Flying dog has an interesting theme to their packaging of the entire line of their beers, and they manage to include both Hunter S. Thompson and the artist Ralph Steadman. Steadman is probably most famous (at least to me) for the artwork he did for Fear and Loathing in Las Vegas, which of course was a psuedo biographical story about Hunter S. Thompson, played by Johnny Depp. In fact, now that I read about it, Flying Dog’s page about their philosophy is a great read. They tie in Ralph Steadman, Hunter S. Thompson, and George Stranahan as the “Godfathers of Gonzo”. I’m going to dig more into this. The final beer on the right is by my favorite brewery, Lagunitas. I always enjoy their humor and care-free worldview. They make excellent beer and their beer always has a great story. In the case of the Little Sumpin’ Sumpin’, the bottom of the 6-pack notes that they find joy in watching the Internet Beer Rating Sites try to figure out how to classify it. They typically have some small typos on the personal under-side rant, which adds to the charm.